column 2019/08/16

[Excerpts from enthusiastic comments] Characters that were impressed by the high feasibility of the 2.5D stage / musical?

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The column that introduces the answers to the “2.5-dimensional character questionnaire that felt“ existing! ”Conducted on Twitter is finally final. This time, the author chose the characters and comments that received hot comments anyway.

* Some comments have been omitted and typographical errors have been edited within the scope of the written description.

Kisaragi Kiso ("My Hero Academia" The “Ultra” Stage)

The character of “My Hero Academia” The “Ultra” Stage (Hiroste), which was performed in 2019, received the longest comment in this survey.

Although all comments cannot be introduced due to comments exceeding 1500 characters, some of them are excerpted and delivered.

[Lecture of the last act of “Continue”] and
[I was a “Villan” alone and “Deathed tree” by curtain call]

His voice, standing, and acting are “Children and Adults” and unstable, but there is a death pattern that moves to disrupt this society. The only villain that was the only villain (the real character) greatly exacerbated the eerieness of Kiso Kami, and made it stand out as a unique existence, expressed only to Mr. Raita who can only be expressed on stage Although it was “existing”, it was “overwhelming death handle” as a character.

(About the dialogue of the last act of “Continue”)
It seems that the original is cut out as it is, and the contrast between justice, alumite and dead sarcophagus, and villain is expressed by the composition of the standing position, or by other casts that express "outside the frame" in manga and animation The scene is a mix of overwhelming "original realism" and "stage entertainment", and I felt the whole world where he lives.

(About curtain call)
Since the hero is the leading role, of course, it is an ending featuring the hero.
The hero's secret word “Plus Ultra !!” turned away without shouting, and when the passengers got off, they were drowning behind the stage.

Curtain calls come out swiftly, killing time without listening to the heroes' greetings, thanking stubbornly, trying to get away early, let's do it if the dead tree is alive I was doing something. I felt that Mr. Raita allowed me to make use of the deadly wooden mallet in 3D.

I think the character can be “lived” because the cast can “play”, not “reproduce”. “Actors” read and understand plays and screenplays, learn, understand, consult with directors, make them three-dimensional in practice, and live on the stage as their roles.

It is the same thing even if the drama / screenplay becomes a “two-dimensional work”, and the cast itself digests the role and the world thoughtfully and physically and plays through the cast. The world of the original, including the outside of the top, which is the case if he breathes because of the process, is expressed on the stage. Whether it's a 2.5-dimensional work or not, the actor is the job of living that "role". I think that we are supposed to feel “living” our recipients.

Naoki Kasahara / Nobutsuna Naoe (stage "Fire Mirage" Showa)

Introducing comments on Yoshihiko Aramaki who played Naoki Kasahara / Nobuna Naoe in this work set in the novel “The Mirage of Flame” Showa.

The first scene of the original Yadakari Bolero, written in the stage of “Yasha Shu Boogi” (series 3)
It was an unprecedented experience to taste the original author's new work with eyes and air instead of type, but he (Aramaki) 's performance in this trial scene was really wonderful.
(The part is not recorded on the DVD just by switching the screen) I remember goosebumps saying "This, this expression, this feeling, we know ...!"

The performance of the mud smell with viscosity and humidity that he usually worried about and grabbed on the 2.5-dimensional stage that is often sparkling is worth seeing.

It is an impressive comment that the original author wrote a script for the stage, and it was a story / scene that the audience experienced for the first time, but the character was strongly felt.

We also received comments from both Aramaki, who performed up to the 4th film, and Hitoshi Hiramaki, who appeared in the 5th film.

Rather than Naoki, Naoe's madness was really out. Because it was a character that was suffering and suffering, it seemed that Naoe was really on this side as well

Toshizo Hijikata (Sound of musical “Touken Ranbu” knot, beginning sound)

We received an answer that spelled the passion for Toshizo Hijikata (act: Tomoyuki Takagi) that appeared in the musical “Touken Ranbu”.

Lastly, I thought Mamoru Izumi's head, “That ’s a way of life.”
A scene of interaction with Takeaki Enomoto.
I knew that I liked Toshizo Hijikata who was close to history. I was so surprised and happy that I could meet Hijikata-san, who had been drawing the ideal with Tou Mu.
Toshizo Hijikata is a very impersonal person who is cool but has a bit of a bit of badness, has a lot of fun, has some common, scary, and kind places. Although it is not the main character and not in the original game, it may be contrary to the intention of the questionnaire, but I was very happy and glad that such a wonderful Toshizo Hijikata was born in three dimensions.
And costumes. Jinhaori has an all-back scene with loose hair, which is very rare, but that's right!
It was Toshizo Hijikata who will surely never forget.

Historical figures are drawn in various ways. Among them, it would be a wonderful experience to meet a person who thought that “I was such a person”. That was the answer.

Your character is surely alive on the stage

The author thinks that one of the real pleasures of the 2.5D stage is that your favorite character feels alive and real on the stage. Because the cast staff carefully created the character and lived as the character on the stage, it was an impression that was born.

This time, over two thousand responses were received in two days. As long as I can't introduce all my favorite characters and comments, it's painful. While reading the comment, I wondered if I could understand it, or looked up information on the DVD and distribution that I wanted to see. I hope the readers of this article feel the same way.

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WRITER

Yuuri Ai
  
								Yuuri Ai

A subcal column writer including the 2.5D stage. I like to travel so much that I don't forget sightseeing even on stage expeditions. I hope to deliver articles that will make the theater more fun.

Also read other articles written by this writer